In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

Jeanne Biddle, an Adobe Education Leader from Scott County schools in Georgetown, Kentucky shares her excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Adobe Education Leader TJ Fletcher shares his excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Educators from the Oregon Episcopal School in Portland, Oregon share their excitement about the value of the new Adobe Education Exchange, http://edexchange.adobe.com

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

Jeanne Biddle, an Adobe Education Leader from Scott County schools in Georgetown, Kentucky shares her excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Adobe Education Leader TJ Fletcher shares his excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Educators from the Oregon Episcopal School in Portland, Oregon share their excitement about the value of the new Adobe Education Exchange, http://edexchange.adobe.com

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Jeanne Biddle, an Adobe Education Leader from Scott County schools in Georgetown, Kentucky shares her excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Adobe Education Leader TJ Fletcher shares his excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Educators from the Oregon Episcopal School in Portland, Oregon share their excitement about the value of the new Adobe Education Exchange, http://edexchange.adobe.com

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Jeanne Biddle, an Adobe Education Leader from Scott County schools in Georgetown, Kentucky shares her excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Adobe Education Leader TJ Fletcher shares his excitement about the new Adobe Education Exchange, http://edexchange.adobe.com

Educators from the Oregon Episcopal School in Portland, Oregon share their excitement about the value of the new Adobe Education Exchange, http://edexchange.adobe.com

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

Kush tries to run and keep up with expert of all things Flash, Paul Trani to ask a question about if different suites of Creative Suite actually have the same flavor of Flash authoring in them.

Kush gets a couple of questions about the future of Adobe Audition buzz buzz buzz buzz buzz while he buzz buzz buzz explain buzz buzz the Mac version buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzzz buzz buzz buzz buzz vuvuzela buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz buzz … oh well, you get the idea.

HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Award-winning director and storyteller Vincent Laforet switches to Adobe Premiere Pro CS5.5 to free time for creativity.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.